Seth T.

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Cosa ami del tuo lavoro?

What I love most about my job is that I get to tell real stories—stories that matter to people, communities, and organizations. Every project is a chance to learn something new, meet someone interesting, or shine a light on work that deserves to be seen. Nothing ever feels repetitive; even when the tools stay the same, the people, places, subjects, and creative challenges are always different.

I love walking into a space—whether it’s a community event, a nonprofit program, a corporate environment, or even a restaurant kitchen—and figuring out how to capture its atmosphere and emotion. I love the puzzle-solving of it: using light, composition, sound, movement, or texture to take something ordinary and make it meaningful. There’s something incredibly satisfying about framing a beautifully plated dish or elevating a product through careful detail and intention.
But more than anything, I love that my work helps people. It helps nonprofits tell their stories. It helps businesses share their message. It helps communities preserve moments and memories. And it gives individuals and organizations a way to see themselves and their work from a new perspective.

Every shoot, every edit, every interview—it’s all an opportunity to create something that connects with someone. That’s what keeps me excited, keeps me curious, and keeps me doing what I do.

Che tipi di servizi hai fatto e come li hai resi speciali?

Over the years, I’ve worked on a wide variety of shoots—everything from nonprofit stories and corporate events to food photography, product shoots, and documentary-style projects. No matter the subject, I try to bring the same mindset: find what’s real, find what’s meaningful, and make it look and feel intentional.

• Nonprofit & Community Stories
I’ve filmed and photographed dozens of nonprofits, community programs, and human-interest stories. What makes these shoots special is the time I spend listening. I learn what matters to the people involved, and I focus on capturing real emotion and authentic moments—not staged sound bites or stiff poses.
The magic comes from patience, empathy, and being ready when real moments happen.

• Events (corporate, community, ribbon cuttings, celebrations)
Events move fast, but that’s part of the fun. I pay attention to tiny interactions: a handshake, a laugh, the pride on someone’s face when they cut a ribbon or make an announcement. I also look for details—hands at work, signage, color, texture—so the final images feel like a full experience, not just a record of who was there.

• Interview & Testimonial Shoots
I make these special by creating a comfortable environment. Most people aren’t used to cameras, so I focus on putting them at ease—slowing things down, asking natural questions, and letting them be themselves. The result is honest, confident, conversational storytelling.

• Portraits & Headshots
I like to take portraits that feel real, not overly formal or stiff. Whether it’s environmental or studio-style, I help people relax, breathe, and be themselves. My goal is for them to look at the photo and think, “Yep. That’s really me.”

• Product Photography
With products, I try to highlight design, texture, and purpose. I experiment with angles and lighting until the object feels intentional and elevated. The goal is to make even simple products feel like they have presence and personality.

• Food Photography
Food is all about atmosphere and appetite appeal. I focus on freshness, color, steam, texture, and the little details that make a dish feel irresistible. Sometimes that means shooting in a kitchen with chaotic energy—other times it means crafting a calm, moody, plated scene that brings out the artistry of the chef.

• Environmental & Location Shoots
From small businesses to outdoor spaces, I love capturing the vibe of a place. I look for natural light, architectural details, and elements that tell the story of where we are—and why the space matters.

Premi, onorificenze e riconoscimenti ricevuti

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Un fatto divertente su questo fotografo

When I’m not behind a camera, you can usually find me on a pickleball court, out throwing discs on a local course, or practicing archery. Basically, if it involves aiming at something—whether it’s a subject, a target, or a basket—I’m all in.